Here are just a few of the things that really got my creative juices going on a quick trip to London to kick start my new year:
First off I went to the V&A to revel in the collection and also to catch the Disobedient Objects exhibition. It was a small show but filled with quiet and evocative objects. There were historical objects but an overwhelming sense of individuals all around the world continuing to protest in whatever way they could. Sad but truly inspirational.
This exquisite suffragette tea-cup and saucer symbolises the importance of the tea-rooms the Suffragettes ran in their shops and at fund raising bazaars. They were a crucial part of the campaign, creating an ‘acceptable’ place where women could get political under the very noses of polite society!
I was drawn towards the textile pieces made by women in Chile desperate to get the stories of their live under Pinochet’s dictatorship out to the world. They sometimes hid letters in the backing of these arpilleras which were then sold abroad giving the women a voice and some vital income. “For a time the authorities were blind to their subversive nature, dismissing arpillera-making as folk art.” Just like the suffragettes the women could come together to sew but also talk to each other and share their stories in relative safety.
The brilliant – and ongoing campaign to increase awareness of all things feminist around the world. Anonymous activists take on the names of dead women artists, writing campaigning and making activist art to high-light the inequalities of the day. http://www.guerrillagirls.com/posters/getnaked.shtml
Then off to the South Bank and Tate Modern. Patchwork of the Century in the South Bank Centre was a piece made for the Festival of Britain. It was designed by Lillian M Dring for the Women of the Century exhibition. 100 patches representing an event or achievement between 1851-1950 were sewn by 80 members of Twickenham women’s organisations. It’s such a beautiful thing with such interesting detail and it’s made from recycled materials too.
Tate Modern’s exhibition of Louise Bourgeois’ works on paper was my highlight, such dark and exquisite drypoint prints, huge dramatic drawings and inventive collage and textiles too. She’s just an extraordinary talent.